Amália Baraona 

Jornal das Letras, Portugal
Review by André Pinto, 04-17 Sep 2013 

A voz é suave com uma estimulante discrição e, por vezes, Amália canta a rir, o que evidencia o prazer que deve ter tido ao fazer este disco, e que acaba por passar também para nós, que o desfrutamos.

Translated review

The voice is soft with a stimulating discretion and, sometimes, Amália sings with laughter, which shows the pleasure she must have had in making this record, and which ends up also passing on to us, who enjoy it.

Ziriguidum, Brasil
Review by Beto Feitosa, 01 Sep 2013 

Amália é cantora com voz de bossa nova, canto discreto e sincopado no balanço desse samba diferente criado por João Gilberto. Ela entende isso e prova quando navega em clássicos de Menescal como O barquinho...

Translated review

Amália is a singer with a bossa nova voice, discreet and syncopated singing in the balance of this different samba created by João Gilberto. She understands this and proves it when she browses Menescal's classics like O Barquinho...

Latin Jazz Network (LJN), Canada
Review by Raul da Gama, 21 Jul 2013 

Ms. Baraona’s performance is outstanding on all twelve tunes. But none is more spectacular in the one that is the true test of her soulful feeling form Roberto Menescal’s music: “O barquinho”. It would seem that the five decades between when the song was written and when it is being sung, are completely stripped away. Moreover, it would seem that Roberto Menescal wrote this legendary and elegiac ballad just for Amália Baraona...

London Jazz News, UK
Review by Alison Bentley, 20 Dec 2012

Amália sings with a beguiling mixture of insouciance and precision. She sounds a little like the newer wave of Brazilian singers, Joyce or Bebel Gilberto, but sings like herself. In Brasil Precisa Balançar, she uses the Portuguese language like a percussion instrument; the sounds fit so naturally with the Bossa rhythms, whilst sparking against the beat...